Due this week

General Writing. Send in your best work – poems, short stories, essays. (Feel free to do it throughout the year, but this gives you a deadline.)
Deadline: Oct. 10.

To submit to Newspaper Series

  • Log in. (Click "Not a YWP member?" to create an account.)

  • Click "create content" and create an ENTRY
  • Fill out "title," "author name, school & grade" and "prompt" boxes.
  • Paste story into "body."
  • Click "Submit." You are done.
    NOTES: Your account email must be accurate; a "blog" entry must be resubmitted as an ENTRY to be considered.

Artists Never Lie

I'm going to pick up a paintbrush
and carefully choose colors to
splatter
on these empty, white walls;
carve words into them
using only ink and my
overpowering thoughts.
I want to break them in half
and discover their secrets,
finding the
years of listening
and how they couldn't talk back.
I'll take this marker and
clothe them in stories,
for everyone's voice
deserves to be heard.
Like this one young boy
who cried himself to sleep every night,
shoving pennies into the wall
for every futile wish he made.
Then I'm going to buy a gallery
with the little money I never made
and display my work of art.

Feedback

UVM Mentor

Hey Katy, my name is Billy and I'm a sophomore at UVM. I wanted to tell you that I enjoyed reading your poem, I think it has some very strong messages in it. Your opening is extremely effective, as your enjambment on the third line where you isolate "splatter" greatly intensifies not only that initial action but also draws out the contrast with the "empty, white walls" of the next line. The story of the young boy is very interesting and, I think, the strongest section of your entire poem; the lines "shoving pennies into the wall / for every futile wish he made" truly strikes me deeply. I would say, though, that you could tighten the continuity of the piece, for you have such strong isolated images and moments like the two I've mentioned, but their connections could be stronger. Perhaps if you broke up the poem into stanzas, conveying the separation between the sections; you've already started to do this by having them be separate sentences, but possibly breaking them into stanzas would draw out the progression further.

I also think you have more to say on this poem, it feels like there is more in your "years of listening" that you could expand upon. The image of the boy is so good, I feel that if you could craft another one or two of these suppressed stories your poem would gain more depth and the closing line about your gallery could refer to your displaying of more than just one work of art. When you hint to the reader that you have "overpowering thoughts", you should drive home with examples some of these thoughts and stories, conveying through multiple examples how "Artists Never Lie". As it is now though, Katy, it is still quite a striking poem that leaves the reader with ideas to consider. Make sure to keep writing, Katy, I'd love to read more.

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